Our Mission

The calling

Our brand’s vision is rooted in the belief that pottery should be more than just beautiful or useful, it should resonate deeply with the individuals who own it.

Tatiana Suchkova

Owner, Potter, Sculptor

My journey into ceramics was unplanned; it all started with a broken pottery wheel and a curiosity that quickly spiraled into an obsession. Once I fixed that wheel, there was no turning back. I threw myself into learning and experimenting, and what began as a personal creative endeavour soon turned into something much bigger.

When people started connecting with my work and finding joy, humour, or meaning in it, it sparked something in me. It wasn’t just about creating anymore; it became about sharing stories through my ceramics and building connections with others.

In Spring 2024, I launched my first collection, Baby Steps. It celebrated growth, blending playful, childlike charm with the depth and maturity of adulthood. The collection was a reflection of my own beginnings: imperfect, bold, and filled with personality.

Right now, Bloody Pottery is growing into a creative community — a space to discover handmade, thoughtfully designed pieces, support independent brands, and connect with creators who value quality, authenticity, and intention.

Behind it all, I’m still crafting, learning, and experimenting in my small home studio (with my dog as the honorary studio assistant). For now, you’ll find me at local markets across Cyprus, planning my first exhibition, and slowly building a new collection.

This is just the beginning of a much bigger adventure — and I’m so excited to share it with you.

Why Bloody Pottery?

Pottery is unpredictable and raw, much like life itself. There are moments when the clay seems to flow effortlessly, and we think, “Bloody hell, this is genius!” And then there are days when everything goes wrong—pieces crack, glazes run, or nothing survives the kiln—and all we can say is, “Bloody hell, not again.”

It’s a name that reflects the highs, the lows, and the perfectly imperfect reality of what I do as a ceramic artist.

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